Comments on: Photos from the set of Gods and Generals http://civilwarband.com/photos-from-the-set-of-gods-and-generals/ Civil War era music performed on period instruments. Popular songs of the War Between the States and other traditional favorites. Thu, 06 May 2010 22:13:26 +0000 http://wordpress.org/?v=2.9.1 hourly 1 By: Joe http://civilwarband.com/photos-from-the-set-of-gods-and-generals/comment-page-1/#comment-45 Joe Sat, 01 May 2010 11:50:32 +0000 http://civilwarband.com/wp/?p=61#comment-45 Here's the story: In the original script, which brother Fred saw while working on the movie with Rob Gibson, had only a paragraph describing the scene. Maxwell, et all went on to, as they themselves said at the time, "Make a meal of it!" - meaning it got really fleshed out. Hell, you only have to look at the set to see the importance they attached to it. Anyway, we met the two young actors only the night before the shooting - the girl was from NYC and the 'guy' from LA; he was there because of his looks and pipes - he would do the principal singing, which had been recorded beforehand as was our part. We got together with them both in a hotel room in Hagerstown to run over the music, etc. They told us that they had written a little scrap of a scene to kick-off the musical part - he is supposed to be Harry McCarthy, the minstrel composer who, with his the woman who's credited on the sheet music (whose name escapes me at the moment), maybe his wife, maybe not - can't recall. In the film, she's supposed to be his wife, who he toured with - they really did do exactly what they do in the movie! So, the next day we show up before dawn for makeup and are subsequently taken by van to the set. Later on, the two of them show up with that incredible 4 foot-long stovepipe 'Lincoln' hat and her scoop-neck, scandalous dress. Bobby Lee would have had her arrested, I bet. In any case, they start working the crowd - the assembled galaxy of stars and celebrities in Confederate garb. Warming them up. She's shaking her goodies and being genuinely funny - the idea being to get the crowd laughing as the cameras and sound began to roll. They delivered maybe 20 seconds of dialog - the supposed punch-line to an anti-Lincoln joke and then we launched into the song. The film company cut a scene shot from below the set with a few guys running to get in on the fun and the scene described above, which really worked well. Too bad. It was good, I thought. It was the best day of 'reenacting/acting' I ever experienced - to this very day! Just about bloody perfect! Joe Here’s the story: In the original script, which brother Fred saw while working on the movie with Rob Gibson, had only a paragraph describing the scene. Maxwell, et all went on to, as they themselves said at the time, “Make a meal of it!” – meaning it got really fleshed out. Hell, you only have to look at the set to see the importance they attached to it.

Anyway, we met the two young actors only the night before the shooting – the girl was from NYC and the ‘guy’ from LA; he was there because of his looks and pipes – he would do the principal singing, which had been recorded beforehand as was our part. We got together with them both in a hotel room in Hagerstown to run over the music, etc. They told us that they had written a little scrap of a scene to kick-off the musical part – he is supposed to be Harry McCarthy, the minstrel composer who, with his the woman who’s credited on the sheet music (whose name escapes me at the moment), maybe his wife, maybe not – can’t recall. In the film, she’s supposed to be his wife, who he toured with – they really did do exactly what they do in the movie!

So, the next day we show up before dawn for makeup and are subsequently taken by van to the set. Later on, the two of them show up with that incredible 4 foot-long stovepipe ‘Lincoln’ hat and her scoop-neck, scandalous dress. Bobby Lee would have had her arrested, I bet. In any case, they start working the crowd – the assembled galaxy of stars and celebrities in Confederate garb. Warming them up. She’s shaking her goodies and being genuinely funny – the idea being to get the crowd laughing as the cameras and sound began to roll. They delivered maybe 20 seconds of dialog – the supposed punch-line to an anti-Lincoln joke and then we launched into the song.

The film company cut a scene shot from below the set with a few guys running to get in on the fun and the scene described above, which really worked well. Too bad. It was good, I thought. It was the best day of ‘reenacting/acting’ I ever experienced – to this very day! Just about bloody perfect!

Joe

]]> By: Lou Fritz http://civilwarband.com/photos-from-the-set-of-gods-and-generals/comment-page-1/#comment-44 Lou Fritz Thu, 29 Apr 2010 18:22:10 +0000 http://civilwarband.com/wp/?p=61#comment-44 Sorry...typo Abe Lincoln. Sorry…typo Abe Lincoln.

]]> By: Lou Fritz http://civilwarband.com/photos-from-the-set-of-gods-and-generals/comment-page-1/#comment-43 Lou Fritz Thu, 29 Apr 2010 18:20:18 +0000 http://civilwarband.com/wp/?p=61#comment-43 To My Friends at My Favorite Southern Band: I own a DVD copy of Gods and Generals, which I've watched numerous times. I don't recall a scene in the film that featured a fictious Abe Linclon, (as seen in the second photo). Was that scene edited out of the movie? What I do remember was a rousing rendition of the "Bonnie Blue Flag". What's the skinny on Dishonest Abe? Thanks! To My Friends at My Favorite Southern Band:

I own a DVD copy of Gods and Generals, which I’ve watched numerous times. I don’t recall a scene in the film that featured a fictious Abe Linclon, (as seen in the second photo). Was that scene edited out of the movie? What I do remember was a rousing rendition of the “Bonnie Blue Flag”. What’s the skinny on Dishonest Abe? Thanks!

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